It might be me.

I’ve been searching to find out who might be the oldest continuing personal blogger in the U.S.  Not a blogger who hawks services or products or is any kind of influencer.  Rather, a female blogger who posts about her life and times.  My search has yielded no information. I have been blogging since 2001, starting at kalilily.blogspot.com.   Is there any woman out there older than I (84) doing the same thing?

Back in December of 2001, I blogged about why  I started to blog.  It’s worth reprising here:

So, there are some discussions going these days on about the purpose and value of weblogs. Oddly enough, the other night at my bi-monthly group meeting, I mentioned that I had begun a weblog, and I was asked to explain what that was and why I was doing it, and why I just wasn’t keeping a journal. As I’ve said, I’ve unsuccessfully tried keeping journals before and I write so much slower than I think that I got frustrated and quit. I can type almost as fast as I think (I got used to doing that at the job from which I retired last year, which involved mostly whipping out quick documents for others to share and claim as their own.) So, it’s easier to do it on the computer. And why don’t I just keep a journal on disk, I was asked. The truth is, I admitted, is that I’m used to writing for an audience. And I like having an audience. Even my poems are usually written with an audience (sometimes of one) in mind. It’s why I ballroom dance. I’m a performer at heart. I need ways to say to the world: this is who I am. Look at me. Pay attention. It seems to me that that’s at the heart of why everyone else who keeps a blog does so. In a world where we all have to live up to expectations and assume roles for survival purposes (our own and others) — caregiver, mother, employee, citizen — it’s so satisfying to have a place where one can BE who one is. Or in some cases, where one can BE who one wants to BE. It really doesn’t matter. We can create who we want to be or be creative with who we are. Either way, one has an identity, a voice. In a way, it’s kind of a new art form — or at least it can evolve in some cases into such. How cool is that!

 

GOING…GOING………………..

The other night I dreamed of my best friend and roommate in college (from 1959-61). The last time I spoke to her on the phone, probably 7 or 8 years ago, she was living in an Assisted Living place while her husband, afflicted with Parkinson’s, was in the Memory Loss Unit. She was furious because her children had taken away her car and license.

When I “googled” her today, I found her obituary. She died in 2021, “peacefully”, it said, and suggested contributions to the Alzheimer Association.

In our Junior year, we shared a room in the sorority house with two other girls. This is three of us in 1959.

Shirley, Carole, and me.

I (on the right) am the only one of us three who is still alive.

Here are the four of us at our reunion in 2004. Shirley and Carole, in the middle, are both gone. Cathy married a guy with whom I loved to dance.  He had great style and knew how to lead.  Cathy has been a widow for the past 4 years.

Cathy, Carole, Shirley, and me.

Shirley and I shared our clothes and countless adventures during our college years. We wore the same size clothing, and I was more than happy to wear her comfortable, casual outfits, while she wore many of the dresses and skirt-sweater sets with which my family saddled me each year. Another difference between us was that I wore lots of makeup and she wore none. And while she was a Business major with a very linear and logical mind, I was an English major who fantasized about moving to San Francisco to write poetry and live in a garret. We also had different taste in boyfriends, so we were never in competition with each other. I don’t think we ever had an argument, unless you count the time my roommates got fed up with my messiness and took all of my stuff that was lying around, wrapped it all in my blanket, and threw it in the closet.

Shirley taught me to drive while she was taking the college class to get certified to teach Drivers’ Ed.  She had a car, and I was 19 years old and had never learned.

Shirley’s and my greatest adventure was heading out to Daytona Beach during the spring of ‘59 for Spring Break. We drove straight through from Albany, NY to Daytona in a little blue coupe with three guys we knew. I think it was Chuck Recesso’s car, and he did most of the driving. One of the other guys was Frank Fallace, but I can’t remember the name of the third, although I can picture his face and could probably find him in the yearbook. I remember the drive through the South and the signs in the places we stopped for both ingesting and eliminating food that boasted signs of “coloreds not allowed.” We were liberal Northerners, and were taken aback by the reality.

While the guys were probably assuming that we would hang out with them, Shirley and I had other plans, since she had male friends from Cortland State College who were also planning to be there.

I don’t remember much of our time in Daytona, but I remember that the water was filled with Portuguese Man-of-War fish, and that we partied hard (still vehemently protecting our virginities, of course) and finally wound up booking flights to come home, avoiding the stifling car ride back– 17 hrs (1,157.2 mi).

We each married in June of 1961, but our lives went in totally different directions. Shirley married the handsome and sweet Owen Davis, teaching business subjects at a community college, and boasting three children and, finally, several grandchildren.

The last time I saw her and her husband was about 15 years ago, when I met them one Fall, down in the Catskills, for an apple festival. Owen was already showing signs of the Parkinson’s disease that finally ended his life; but he was still handsome and sweet. I wish that I had kept in better touch with her, but, you know…..LIFE!

And this is the way it will go from now on.  Because, you know….LIFE!

 

Out of Focus

I wote this in 2004, four years into being the full-time, live-in caregiver for my mother, who had severe dementia and the object of the abuse heaped upon me by myi brother. It is a reminder that I have been through writer’s block before.
I think I remember a time when I could focus on one thing at a time — a poem, a person, a pleasure — when the process was as important as the product. I’m trying to remember when the last time was that I felt that focus, that stillpoint. Oddly enough, I think it was was a decade ago when I used to go out on Thursday nights to dance the Hustle for hours on end. I would follow the lead with such total focus that all I was aware of was my blood humming to the rhythm of the bass and my body carving sharp arcs through the smokey air.
I think I used to know that same kind of focus when writing a really good poem, feeling the rhythm come, hearing the hum of swarming words. But that was when I lived alone, with long, quiet moments to feed my focus. That was when I would have hours of down-time at work, alone in my own office, with nothing to do but let myself succumb to the processes of dream timethink what happened is that I got really good at my job — multi-tasking, meeting deadlines, serving many masters. Scheme thinking. Quick thinking. No time to dream, alone, in a corner with a window.

I think what happened is I learned t.o care too much. I think what happened is that I let the world nibble away at my layers so that I lost my deepest secrets.

“The Many Breasted Artemis,” my shrink once noted, as I unloaded my distress at being expected to always be the nurturer, the feeder, the source of unlimited resources, the problem-solver, the responsible one.

I thought that when I retired, I would be able to find, again, that dreamy focus. Instead, it takes me until midnight to finally breathe evenly and deeply, to let go of all of the knowing. It takes me until midnight to finally feel the yearning for deep secrets.

But to have secrets, one has to have a life beyond the giving of care.

I’m waiting for my time to come again, when I will, again, simmer and stir, ladle, at last, into mounds of midnight words, that witch’s brew.

It’s going to be an all-nighter.

It’s 3:30 am. By now I have usually taken my Remeron and also 35 mg of marijuana and am on the verge of sleep. Last night I did that, fell asleep about 4:30 am, and slept for 12 hours. Which means I got up in time for dinner. Their dinner was my breakfast. Enchiladas. That’s what I had for breakfast.

The truth is, I never know when I’m going to fall asleep even though I go through the same routine every night. I take my Remeron at 11:30 pm and take my marijuana edibles (THC/CBN) between 12 and 1 am, with the lights down low. I get ready for bed at 2 am and am in bed by 3 am.

But that doesn’t mean I will necessarily fall asleep right away. There are nights (days) I don’t fall asleep until 6 or 7 am. There are some mornings when I’m still awake while my son-in-law is up getting ready for work.

For a while, it was “asleep by 3:30 am and up by 12:30 pm.” And I could live with that. But as time goes on, my sleep schedule gets more and erratic, and I don’t know how I’m going to be able live with that.

And I am having a hard time productively using those night hours when I am awake. I guess, psychologically, for me, night time has always been for sleep. Or dancing. It’s like I’m on my old dancing schedule: I used to go out a 11 pm, dance until 2 am, and be asleep by 3 am. Sometimes, now, I actually put on music during those dark hours and dance. But it’s not the same. Nothing is the same. I am caught in this limbo of a non-life.

Since I have an overwhelming backlog of yarn, I started to crochet a sweater from what seemed like a simple pattern. Made continuously from the top, down. Half double crochet all the way, with some increases. What is making me crazy, is that every time I make the indicated increases and then go to check the number of stitches, I get a different number. It’s making me crazy at 3 am. So I ripped it all out and am starting again, and I’m still never getting the number of stitches I’m supposed to have. I’ll try again tomorrow.

Eating on this crazy schedule is also a problem. If I wake up around noon, no problem. I have “brunch.” And then dinner is around 5:30. By 10 pm, I’m hungry, so I have a snack. And around 1 am, I’m hungry again. So, maybe a banana and chocolate almond milk. What I need to do is stock up on some yogurt.

And when should I take my vitamins? If I take them with dinner, will they increase my energy at night so that sleep becomes even more difficult?

My isolation has become toxic. I don’t even see much of my family. We used to at least have dinner together, but the “dog experiment” messed with the old patterns. It was an “experiment” because, while we all loved the dog, who was very smart and was already learning to respond to commands, he was not able to be “cured” of biting. We know he just wanted to play, the way he might with other dogs. Except that he had not been around other dogs to get the message from them that biting them was not OK. It all got very complicated, and he had to be taken back to the Rescue folks.

So, the family will be looking at more middle aged dogs who tend to be couch potatoes. And, while they are looking, they are fencing in the yard, in anticipation of finding a dog that is a better fit for this family.

Meanwhile, here I sit, at 4:14 am, not sure what to do now, except to just stay up for the rest of the night and try to make it through the day.

I binged watched some stuff that is streaming: Evil, Midnight Mass, Chuck, and now I’m watching Why Women Kill. Maybe I’ll just watch more tv.

Maybe I’ll look on Pet Finder and see if I can find an older cat to keep me company. Their mean prissy “don’t touch me” cat can just suck it up. And if they finally find a dog, he will have to suck it up too. My comfort/happiness/ is just as important as theirs.

I just don’t know how I’m going to manage living like this.

The Gypsy Coat Tale

I gave my writing circle the prompt “the coat was shabby.” And I gave them a challenge to use strong verbs and specific nouns. As I began to write my response to that prompt, I decided to put it someplace in history and do a little research for details. This is my result, my first ever try at historical fiction:

artdecodesign

The Gypsy Coat Tale

The coat was shabby, but its aspect still spoke of nights thrown over a naked shoulder at a smokey Montparnasse cafe, or tossed onto the back of a scarlet sofa at a late night Paris salon. Its stained fabric revealed a careless pattern of absinthe, bathtub gin, and the mascaraed tears of its most passionate devotees.

They say it once belonged to Nina Hamnett, self-proclaimed and notorious “Queen of Bohemia,” who wore its gold satin lining next to her skin while she danced shimmering lights into the weave of the rich silk brocade. On those nights, the coat created its own melody, a mesmerizing harmony of color, texture, and pattern, the timeless echo of a Siren’s song.

Legend has it that the coat was created by the two Japanese weavers and the Gypsy woman whom Hamnett befriended during her brief stay in Paris before the war started, before everyone folded themselves into enclaves of creative ferment or else fled to the safer shores of England and America.

And that, they say is how the coat finally wound up in the window of the Fifth Avenue Parisian boutique on the afternoon that Zelda Fitzgerald walked out of New York City’s Palais Royale Hotel in search of the perfect evening dress.

She did find the perfect dress: a long black beaded silk with a sheer back that dipped down to her tailbone. But is was the coat that took her breath away – the coat and the legend and the fantasy.

The multicolored floral brocade boasted gleaming gold threads that reflected the bright city sunlight. Elaborate scrolls etched its lush black velvet cuffs and ankle-skimming border. A face-framing swath of black fox, added as an afterthought, brought the coat to the level of a work of art.

By the time I rescued the coat from the empty corner of my spinster aunt’s nursing home closet, its shabbiness was well-earned, having been Zelda’s constant companion through her bi-polar adventures played out over two continents and two decades, until both she and the coat began to unravel.

My aunt had been a nurse at the Highland Mental Hospital in Asheville, North Carolina, where Zelda spent her final years capturing on canvas the remaining bright colors of her memories and telling my aunt the elaborate coat-tales that fed her lonely dreams of prodigal nights ablaze in the heart of a drowning Jazz Age.

Just days before the hospital fire that took her life, Zelda gave my aunt the coat to wear to a costume party.

And so the Gypsy Coat was retired to the back of my aunt’s closet, although she always took it with her whenever she moved, unable to dispose of its vibrant history. The Gypsy Coat is mine, now, to ponder on the relic that it is – a remnant of legendary lives lived with creative abandon, dazzling artistry, and deadly excess.

artdecodesign

The day after I wrote this, as I was watching a “Friends” rerun with the family, Phoebe appeared wearing the coat I had described the day before.

gypsy coatbI love it when stuff like that happens.

Old Poems

My son-in-law found the box of my poetry that I packed up to move here five years ago. I have enough for a book. They are mostly very dark. I would call the book “Dark Matters.”

In the bottom of the box is a journal where I wrote poems about some of the lovers that moved through my life back in those disco dancing days. I take the journal to bed and read their names, remember their faces, how they danced. I remember them all except one. Brad. My poem remembers him even though I no longer do. Why is he the one I can’t remember?

I think of who I was back then. It was when I discovered Lilith in an article by Lilly Rivlin’s in the first issue of Ms Magazine. That was in 1972. That’s when it all started.

my delightful writing circle

I finally got off my lazy butt and organized a “writing circle” at the public library. It’s held every other Wednesday afternoon and is loosely based on the Amherst Writing Method. I say “loosely” because, while I have participated in the program in the past, I have not been officially trained to lead a group. But we follow the suggested “prompt, write, respond” method, and it is working very well for us, I think.

So, today the folks each brought in an object for someone else to use as a prompt. I chose a pair of very worn women’s shoes from the turn of 19th century. I had posted it here but removed it because I am submitting it to a poetry journal.

Mag #231

Magpie Tales is a blog “dedicated to the enjoyment of poets and writers, for the purpose of honing their craft, sharing it with like-minded bloggers, and keeping their muses alive and well.” Each week, it offers an image as a writing prompt.

Go here to read what others have written.

wild women

Wild Women

Wild Women wear
tight jeans, western boots,
dance in bars
’til bras melt to skin
and wolves howl the hillsides.
Wild Women step hard
enough to warp the wood,
set the blues on fire —
all the better to
eye the eyes,
rope one or not,
sing full-moon songs
until dawn.

when I was 20

I am looking through my pages of poetry, some written when I was in grade school, but I’ll spare you those. I wrote this when I had just turned twenty and was home from college during a part of the summer. It’s not great poetry, but it’s a great thought, I think.

on the boatbwhen I am old
I will not care for
rock ‘n roll
slopping
and jazz
bongos drums
beat poetry and
Kafka
Kerouac
Jake Trussell and
lifeguards with
sea-burnished hair
and convertibles.
but now I am young
and I know that all of these
will one day be
the cushions
on the couch of memories
on which I will repose
when I am old.

The Slop was a dance from the fifties. I had to google Jake Trussell and I still don’t remember why he was important to me back then. But I still like rock ‘n roll. And convertibles. And I’m still known to ogle lifeguards.

addictions

I’ve never smoked. I don’t drink because it bothers my GERD.

But I’m addicted to sneakers.
moresneakers

Left to right:
Top row: light weight Rockport walking sneakers; old worn out Easy Spirit slip-ons that I use for gardening; dance sneakers with suede soles that I hope I will use again for NIA

Middle row: cheap Champion slip-ons; my favorite old Rocket Dog slip ons with velcro that are almost worn out; new plaid Sorel sneakers that irritate the back of my heel but I love the plaid

Bottom row: Keds; Keds stretch; second favorite, Dr. School’s slip-ons

I’m also addicted to denim jeans, gray and blue and black; cotton, blend, and stretch; knit and woven; boot cut and straight.

I live in jeans and sneakers. I just need more places to go to wear them.