a year to pay attention

This is the year for me to really start paying attention.

Creativity emerges from paying attention. Problem solving requires paying attention. Connections thrive on paying attention.

Until the middle of November, my mother’s fatal dementia, by necessity, was the focus of my attention for the past decade. It feels strange, in a way, not to feel that pull any more — to have no excuse for not paying attention.

Writing well depends upon paying attention.

And so I begin here, tomorrow, participating in a month long project, A River of Stones.

A small stone is a polished moment of paying proper attention, and the challenge of the project is to write a small stone every day.

I will start tomorrow. One small stone. And, stone upon stone, I will try to set a solid path out of the stress and sorrow of the last decade and into a more focused future.

________________________

I was starting to feel guilty about not posting frequently enough on this blog. Then I read what my son wrote on Twitter about his blog:

I write for me, and then stop writing for me. Anyone who reads in the meantime? Cool.

too soon old, too late smart?

Under his white cassock, the good-looking young priest is wearing sneakers and jeans. I can see them peeking out from underneath the garment’s neat hem. The inside of the 110 year-old ornate church of my childhood is colder than this winter morning in the urban outside. The seat of the wooden pew is freezing my butt.

The church’s boiler has stopped working, and all through the service periodic clangings continue to irreverently punctuate the “words of the Lord.”

I am sitting in the exact spot in which I sat almost exactly a month ago. That was for my mother’s funeral service. This time it’s for my aunt’s (the wife of my father’s brother). They say that death comes in threes. I wonder if my 87 year-old aunt sitting to my left will be the third. I hope, instead, what will count is my dead desktop computer, which, at the moment is awaiting a possible resurrection on the repair desk of my most trusted geek. These are things over which I have no control.

I only go back to my home town for weddings and funerals, all of which include rituals celebrated in this spectacularly vaulted nave that is bordered by detailed mosaic depictions of the Stations of the Cross, above which large elaborate stained glass windows tell the rest of the story. The aesthetics of the church inspires awe, even without the faith that sustains it.

Neither my cousin nor I join in the line to receive Holy Communion. It has been decades since either one of us believed and practiced what we had been so carefully taught during our 13 years of Catholic schooling. When we sit around the table hours after her mother’s burial, my cousin and I and dredge up shared memories of some of our more innocent times — the May processions in which we tossed rose petals as we walked down the aisle (“one, two, three, this is for you, Baby Jesus…”) My mind slips away to the less innocent scenes from the movie “The Polish Wedding.”

We spend hours sitting around that table — my cousin and I and our remaining paternal aunt and uncle — sharing family stories and attitudes that had somehow eluded me during the 17 years I lived in the bosom of a clan that had, apparently, quickly separated into two camps — the “laws” and the “in-laws,” although which was which depended on whose perspective one adopted.

The story that surprises me most is one associated with the version my mother told of a seminal event in my life about which I once wrote a poem. In my mother’s version, her mother saved my young life; in the “in-law” version, my other grandmother believed that my mother was withholding medical treatment for me in favor of “leeches.” I see now that it became a stand-off between two matriarchs, and family relationships through the generations suffered as a result.

While it was my mother’s side of the family that I came to know best, it was an aunt on my father’s side who most impressed me, even though I only knew her for a very short while in my pre-teens.

Eleanor married my Uncle John, to the chagrin of my paternal grandmother. Eleanor was a free spirit, odd and artsy and strikingly beautiful. She had her kitchen ceiling painted red, she started to teach me how to sketch faces, and she sewed me a lavish ruffled robe that I wore until I could no longer button it across my chest. Suddenly (or so it seemed to me) she and my uncle were gone — moved out of state, out of touch.

And, in our post-funeral table conversation with my relatives from that side of the family, I learn just how strict my paternal grandmother was, refusing to accept her non-conformist daughter-in-law and leaving the couple with little alternative but to create a life for themselves apart from family expectations. I begin to understand the difficulties that my mother had in fulfilling her daughter-in-law role.

Eleanor and John had children — five, I think. I have never met them or been in touch with them. My cousin has but lost track of their lives long ago.

We have been a family burdened with expectations, and both my cousin and I acknowledge (with some private pride) that we opted not to meet a select number of them.

We are the matriarchs, now — much different in attitudes and expectations from our foremothers.

At least we hope so.

compost

This is my response to the visual writing prompt at Magpie Tales. You can read the responses of other writers at Magpie 35.

Compost
It is the season’s leavings
that root me to this spaded place —
bent twigs, loosed leaves,
the year’s used ends and endings
storm-swept in sheltered corners.

Barren fields and desert reaches
free the weed to tumble in its time,
but the clutter of the season’s leavings
frees the roots from hidden seeds
of other spaces, other times.

artifact

This is my response to the MagpieTales #34 visual writing prompt. Go to the link to get to the responses of other writers.

Artifact

There once was a point
to this old lantern
that now only reflects
what light slips through
somber drawn drapes

Once it had a purpose in
repelling night’s dark hand.
Its flickerings lit dim stairwells,
dispelled the haunts of nightmares,
revealed vague truths hidden
within shadowy eyes.

Useless in lonely oblivion,
it waits for storms
that devour the sky
and send the world
into frightful corners
of unexpected night.

a sense of scent

I almost missed this Magpie Tales #33 visual writing prompt, but better late than never.
(As usual, you can read other submissions at the link above.)

A Sense of Scent

She thought she was done with him,
but one night the moon rose
clear and full-faced,
and an early autumn wind
swept the scent of lavender
through her open window.

Some times are harder than others
to sit silent,
hands clenched against
the lure of the pen,
mouth set against
the call of the phone,
thinking to oneself
that some things are better
left to silence,
to the slow decay of time,
the turning of moons
and lavender seasons.

But even in the darkest of corners
some things refuse to die –
some small husk still
riddled with seeds,
some insistent root
defying the dust,
some dormant dream
of a riotous clash of hearts,
clutch of minds,
dance of hands that
hope and hold and, too soon,
let go.

She thought she was done with him,
except his voice
still pulls at her belly
like the insistent tides of the moon.
So when he calls
from places lush
with a thousand thriving things,
she sends him dewy lavender
wrapped in familiar black lace,
because, they say,
The sense of smell
is the most visceral,
holding even the darkening
memory of the dying.